[conversation]
[conversation]

H33xW28 cm

[le film oscille entre archives de spectacle et prononciation, anagramme et synonyme]
[le film oscille entre archives de spectacle et prononciation, anagramme et synonyme]

H56xW81 cm

not available

[No 333 houses of the inner timidities]
[No 333 houses of the inner timidities]

H46xW61 cm

[16 rooms - Tales of displacement and belonging]
[16 rooms - Tales of displacement and belonging]

H61xW80 cm

[in the midst of great disorder IV]
[in the midst of great disorder IV]

H30xW22 cm

[Dubois meets Malevich]
[Dubois meets Malevich]

H29.5xW29.5 cm

[repetitive scales different from manufactured realities by only a degree of hesitation]
[repetitive scales different from manufactured realities by only a degree of hesitation]

H20xW14 cm

not available

[Cara Sposa and the Carousel horse]
[Cara Sposa and the Carousel horse]

H20xW28 cm

[the demand of major rising is metallic and incorruptible from the bunk of the past into the suberic repetition of the alphabet]
[the demand of major rising is metallic and incorruptible from the bunk of the past into the suberic repetition of the alphabet]

H35xW47 cm

[a man of ceaseless energy and fixed purpose who never abandoned the microcosm of softly focused landscapes]
[a man of ceaseless energy and fixed purpose who never abandoned the microcosm of softly focused landscapes]

H56XW49 cm

[simulacrum of an aesthetic mistrust prepared on the back of a postcard after periods of ontological fissures]
[simulacrum of an aesthetic mistrust prepared on the back of a postcard after periods of ontological fissures]

H56xW82 cm

[the speech returned to movement of condensation and displacement]
[the speech returned to movement of condensation and displacement]

H46xW61 cm

[the virtual company of all]
[the virtual company of all]

H80.5xW60.5 cm

[melancholically through the mouth of stillness waiting to dimly discern more than to suspect]
[melancholically through the mouth of stillness waiting to dimly discern more than to suspect]

H30xW40 cm

[mahogany horses slowly devouring the details of shock and despair with their flower cups and anthers before imposing witnesses]
[mahogany horses slowly devouring the details of shock and despair with their flower cups and anthers before imposing witnesses]

H25xW22 cm

[entre eux]
[entre eux]

collage on plywood

H49xW39 cm

[fluently other]
[fluently other]

H20.5xW21 cm

[two green velvet curtains with typical self-deprecation]
[two green velvet curtains with typical self-deprecation]

H16.5xW25 cm

not available

[sartorial idleness with ornamental feathers]
[sartorial idleness with ornamental feathers]

H24xW20 cm

[duel of whisperings and life as gesture]
[duel of whisperings and life as gesture]

H21.5xW28 cm

[on how to give clear proof of being absent in the shape of a vanished year]
[on how to give clear proof of being absent in the shape of a vanished year]

H29xW20 cm

[on the slowness of the wolf itself]
[on the slowness of the wolf itself]

H22xW14.5 cm

[Mme Noya. On how to use mirrors on walls without windows]
[Mme Noya. On how to use mirrors on walls without windows]

H36xW26 cm

[silent boundaries of I]
[silent boundaries of I]

H23.5xW17.5 cm

[wearing her voice while their souls were wet, in retrospect, stretched out from one absence to another]
[wearing her voice while their souls were wet, in retrospect, stretched out from one absence to another]

H38xW50 cm

[achieving the impossible]
[achieving the impossible]

H27.5xW27 cm

[dialogue left hanging on the door stop]
[dialogue left hanging on the door stop]

H27xW20 cm

[about the rolls he has just eaten mistaking them with familiar figures from the visitors club]
[about the rolls he has just eaten mistaking them with familiar figures from the visitors club]

H19.5xW25 cm

not available

[their edges up too close still lamenting the dedicated pastures in various poses and draperies]
[their edges up too close still lamenting the dedicated pastures in various poses and draperies]

H17.5xW25 cm

[the dissection of the motionless passenger while other shapes remain vague - the window was open wide, the street was deserted]
[the dissection of the motionless passenger while other shapes remain vague - the window was open wide, the street was deserted]

H19.5xW22.5 cm

[familiarity to initials without inverted commas]
[familiarity to initials without inverted commas]

H26xW18.5 cm

[portrait of a flame, after flame]
[portrait of a flame, after flame]

H18.5xW13.5 cm

[deep dread of gestures as yet unmade living for a small space]
[deep dread of gestures as yet unmade living for a small space]

H24.5xW20.5 cm

[the unchangeable grey of the mist]
[the unchangeable grey of the mist]

H23xW19.5 cm

[Hopper meets others]
[Hopper meets others]

H22xW29 cm

[singing to the trace]
[singing to the trace]

H25.5xW21 cm

[airgonaut resting]
[airgonaut resting]

H18xW22.5 cm

[point of still recording with another]
[point of still recording with another]

H30xW18.5 cm

[silence, followed by the reeling of half-witted stepson the being who walked with the telescope]
[silence, followed by the reeling of half-witted stepson the being who walked with the telescope]

H30.5xW20.5 cm

[time was measured by the succession of ideas in his mind]
[time was measured by the succession of ideas in his mind]

H18xW23 cm

[contenance théorique du verre de facon hasardeuse et sans rigoeur la pensée a encore l'air d'être liquide]
[contenance théorique du verre de facon hasardeuse et sans rigoeur la pensée a encore l'air d'être liquide]

H29xW22.5 cm

[breath of repressed dreams turns to foam]
[breath of repressed dreams turns to foam]

H26.5xW18.5 cm

[part of the ceiling had just been lifted up producing a fat yellow glimmer that machines pumped out through her vague coloured horizon]
[part of the ceiling had just been lifted up producing a fat yellow glimmer that machines pumped out through her vague coloured horizon]

H26xW21 cm

[in that part of the world to leave was not a comedy, one last trip to the nearby mountains]
[in that part of the world to leave was not a comedy, one last trip to the nearby mountains]

H19.5xW25 cm

[the aquadermique horse, Bataille knows why]
[the aquadermique horse, Bataille knows why]

H24.5xW19.5 cm

[days in August]
[days in August]

H20.5xW25 cm

[avec lenteur, la tête imaginée quitait le sol des yeux, mais sans faire de chignons]
[avec lenteur, la tête imaginée quitait le sol des yeux, mais sans faire de chignons]

H20xW28 cm

[the loneliest moment and its double]
[the loneliest moment and its double]

H27.5xW22.5 cm

[the world is a colossal mirror in which man contemplates himself]
[the world is a colossal mirror in which man contemplates himself]

H31xW22 cm

[silence of silence]
[silence of silence]

H22.5xW16 cm

[to be silent as a pale imitation, as remote and candid as knitting peace in a deserted island]
[to be silent as a pale imitation, as remote and candid as knitting peace in a deserted island]

H23xW19 cm

not available

[palindromic possibilities of eyes on feet]
[palindromic possibilities of eyes on feet]

H20xW30 cm

[elastic inference painted on the chanfrin]
[elastic inference painted on the chanfrin]

H30xW19.5 cm

[à Colet L. - at the end of things, observers of sense - reluctance for solutions]
[à Colet L. - at the end of things, observers of sense - reluctance for solutions]

H29xW16 cm

[springs, shock absorbers and linkages that connect a comma to its full stop and allows relative motion between the two]
[springs, shock absorbers and linkages that connect a comma to its full stop and allows relative motion between the two]

H27.5xW21.5 cm

[steadiness of sight to expend themselves]
[steadiness of sight to expend themselves]

H19.5 x W27.5 cm

[balance and milk]
[balance and milk]

H23xW18 cm

[to Emily]
[to Emily]

H19xW15.5 cm

[Penumbra Limm]
[Penumbra Limm]

H25xW20 cm

[Nothing To Be Done & Co. Representative]
[Nothing To Be Done & Co. Representative]

H20xW25 cm

[des Demure on stage]
[des Demure on stage]

H26xW19.5 cm

[on seeing]
[on seeing]

H18.5xW15 cm

[old souls travel light on the back of a chair]
[old souls travel light on the back of a chair]

H20xW18.5 cm

[banana skin on strain disorders]
[banana skin on strain disorders]

H30xW18 cm

[the teeth collector and the chest hairs]
[the teeth collector and the chest hairs]

H23xW20.5 cm

[repos dans une chambre]
[repos dans une chambre]

H26.5xW21 cm

[one day left, or how to get behind the curtain]
[one day left, or how to get behind the curtain]

H22.5xW15.5 cm

[the opaque element of difference]
[the opaque element of difference]

H30xW20 cm

not available

[and then it follows that I travel coming from the sea between two mirrors]
[and then it follows that I travel coming from the sea between two mirrors]

H19.5xW30.5 cm

[the cabaret idea of oscillation between removing a gong beat and simulating the vibrations of a sound to rule the sense of movement]
[the cabaret idea of oscillation between removing a gong beat and simulating the vibrations of a sound to rule the sense of movement]

H30xW25 cm

[the dynamics of inconsistently enclosed expectations by a few lines on the ceiling]
[the dynamics of inconsistently enclosed expectations by a few lines on the ceiling]

H31xW24 cm

[two hinged arms with wooden shells played with a cup mouthpiece to its originally planned position]
[two hinged arms with wooden shells played with a cup mouthpiece to its originally planned position]

H16.5xW23 cm

[rearranging repetitions to interpret one's self]
[rearranging repetitions to interpret one's self]

H25xW19.5 cm

[Ruskin undergoes gloss]
[Ruskin undergoes gloss]

H22xW16 cm

[never-ending confusion and fragments of crumpled paper begin racing like comets from east to north]
[never-ending confusion and fragments of crumpled paper begin racing like comets from east to north]

H19.5xW24 cm

[eating into the walls to become permanent and invisible]
[eating into the walls to become permanent and invisible]

H19.5xW24 cm

[the seaweed of the storm kept in place by a fragile arrangement]
[the seaweed of the storm kept in place by a fragile arrangement]

H22xW18 cm

[in the house without folds, the anonymous circuit of the Other intercalates with the living on the inside]
[in the house without folds, the anonymous circuit of the Other intercalates with the living on the inside]

H18xW19 cm

[in the folds without house, the revealed centre of the Same erases the living on the outside]
[in the folds without house, the revealed centre of the Same erases the living on the outside]

H19xW25 cm

[they have remained impoverished, like an unexpected sunset that pulls your ego down to the ground]
[they have remained impoverished, like an unexpected sunset that pulls your ego down to the ground]
[the thought is ruthless, eerily extending the subversive specks on the walls pounding away in completion - a round metal disc]
[the thought is ruthless, eerily extending the subversive specks on the walls pounding away in completion - a round metal disc]

H29xW29 cm

[the anomalous chain of fellow beings reconciled by the final oddities while preserving the doubtful and their company]
[the anomalous chain of fellow beings reconciled by the final oddities while preserving the doubtful and their company]

H22xW24 cm

[wait]
[wait]

H26xW20 cm

[inhood, or the polar link to kinder worlds]
[inhood, or the polar link to kinder worlds]

H22.5xW18 cm

[Illa Linaire - on the shape of words at night]
[Illa Linaire - on the shape of words at night]

H20xW16.5 cm

[Soutine Des Yeux]
[Soutine Des Yeux]

H25xW18.5 cm

[conversion]
[conversion]

H22xW15.5 cm

not available

[Aiolla Digli]
[Aiolla Digli]

H28xW21.5 cm

[OVO]
[OVO]

H27xW20 cm

[HKM]
[HKM]

H31xW24 cm

[Cardinal Chine]
[Cardinal Chine]

H28xW21.5 cm

[fast fleeting clouds suppressing a gloating giggle]
[fast fleeting clouds suppressing a gloating giggle]

H25xW19 cm

[serious underestimation equipped with a rear-view mirror evaluated in figures]
[serious underestimation equipped with a rear-view mirror evaluated in figures]

H24xW25 cm

[from "Cautionary tales for grown-ups' living silence forever unemployed]
[from "Cautionary tales for grown-ups' living silence forever unemployed]

H28xW21.5 cm

not available

[lief #72 - Lilt Mondegreen]
[lief #72 - Lilt Mondegreen]

H22xW17 cm

[Bonne Marrow and her Double]
[Bonne Marrow and her Double]

H24xW18 cm

[NMN]
[NMN]

H28.5xW23 cm

[revealed through a sharp breath and a conical idea]
[revealed through a sharp breath and a conical idea]

H27.5xW21.5 cm

[Ella Ennui]
[Ella Ennui]

H25.5xW20.5 cm

[Melita through the door]
[Melita through the door]

H27xW22 cm

[Rinsol D'Lenses]
[Rinsol D'Lenses]

H26xW20 cm

[bent knee of the effective witness diffused in his streams of paper]
[bent knee of the effective witness diffused in his streams of paper]

H22xW17 cm

[d'Ala]
[d'Ala]

H28.5xW20 cm

[egocentricity of the rays]
[egocentricity of the rays]

H27xW21 cm

[sudden revelation of instinct turned pale]
[sudden revelation of instinct turned pale]

H27.5xW21.5 cm

[a jelly-like mass about the size of a cherry]
[a jelly-like mass about the size of a cherry]

H20xW16 cm

[EAsabetha]
[EAsabetha]

manipulation of the painting "Elisabeth of Austria" by François Clouet

H34xW25 cm

[Mar de Gue]
[Mar de Gue]

H21xW14.5 cm

[Circollage XXXVIII]
[Circollage XXXVIII]

H26xW21 cm

[Circollage XXI]
[Circollage XXI]

H25xW20 cm

[Circollage VII]
[Circollage VII]

H24xW20 cm

[Circollage III]
[Circollage III]

H25xW19.5 cm

[Circollage IX]
[Circollage IX]

H25xW19.5 cm

[M ThereforeA]
[M ThereforeA]

H31xW23.5 cm

[Circollage XXII]
[Circollage XXII]

H26xW20 cm

[Estella]
[Estella]

manipulation of the Portrait of a Princess of the House of Este by Pisanello

collage on plywood

H30xW21.5 cm

[Sigispan]
[Sigispan]

Manipulation of the "Portrait of Sigismondo Pandolfo Malatesta" by Piero della Francesca

H31 x W 21 cm

[panopticism]
[panopticism]

H30xW21 cm

not available

[dePol]
[dePol]

manipulation of the Portrait of a young woman by Antonio Pollaiuolo

collage on plywood

H30xW21 cm

[conversation]
[le film oscille entre archives de spectacle et prononciation, anagramme et synonyme]
[No 333 houses of the inner timidities]
[16 rooms - Tales of displacement and belonging]
[in the midst of great disorder IV]
[Dubois meets Malevich]
[repetitive scales different from manufactured realities by only a degree of hesitation]
[Cara Sposa and the Carousel horse]
[the demand of major rising is metallic and incorruptible from the bunk of the past into the suberic repetition of the alphabet]
[a man of ceaseless energy and fixed purpose who never abandoned the microcosm of softly focused landscapes]
[simulacrum of an aesthetic mistrust prepared on the back of a postcard after periods of ontological fissures]
[the speech returned to movement of condensation and displacement]
[the virtual company of all]
[melancholically through the mouth of stillness waiting to dimly discern more than to suspect]
[mahogany horses slowly devouring the details of shock and despair with their flower cups and anthers before imposing witnesses]
[entre eux]
[fluently other]
[two green velvet curtains with typical self-deprecation]
[sartorial idleness with ornamental feathers]
[duel of whisperings and life as gesture]
[on how to give clear proof of being absent in the shape of a vanished year]
[on the slowness of the wolf itself]
[Mme Noya. On how to use mirrors on walls without windows]
[silent boundaries of I]
[wearing her voice while their souls were wet, in retrospect, stretched out from one absence to another]
[achieving the impossible]
[dialogue left hanging on the door stop]
[about the rolls he has just eaten mistaking them with familiar figures from the visitors club]
[their edges up too close still lamenting the dedicated pastures in various poses and draperies]
[the dissection of the motionless passenger while other shapes remain vague - the window was open wide, the street was deserted]
[familiarity to initials without inverted commas]
[portrait of a flame, after flame]
[deep dread of gestures as yet unmade living for a small space]
[the unchangeable grey of the mist]
[Hopper meets others]
[singing to the trace]
[airgonaut resting]
[point of still recording with another]
[silence, followed by the reeling of half-witted stepson the being who walked with the telescope]
[time was measured by the succession of ideas in his mind]
[contenance théorique du verre de facon hasardeuse et sans rigoeur la pensée a encore l'air d'être liquide]
[breath of repressed dreams turns to foam]
[part of the ceiling had just been lifted up producing a fat yellow glimmer that machines pumped out through her vague coloured horizon]
[in that part of the world to leave was not a comedy, one last trip to the nearby mountains]
[the aquadermique horse, Bataille knows why]
[days in August]
[avec lenteur, la tête imaginée quitait le sol des yeux, mais sans faire de chignons]
[the loneliest moment and its double]
[the world is a colossal mirror in which man contemplates himself]
[silence of silence]
[to be silent as a pale imitation, as remote and candid as knitting peace in a deserted island]
[palindromic possibilities of eyes on feet]
[elastic inference painted on the chanfrin]
[à Colet L. - at the end of things, observers of sense - reluctance for solutions]
[springs, shock absorbers and linkages that connect a comma to its full stop and allows relative motion between the two]
[steadiness of sight to expend themselves]
[balance and milk]
[to Emily]
[Penumbra Limm]
[Nothing To Be Done & Co. Representative]
[des Demure on stage]
[on seeing]
[old souls travel light on the back of a chair]
[banana skin on strain disorders]
[the teeth collector and the chest hairs]
[repos dans une chambre]
[one day left, or how to get behind the curtain]
[the opaque element of difference]
[and then it follows that I travel coming from the sea between two mirrors]
[the cabaret idea of oscillation between removing a gong beat and simulating the vibrations of a sound to rule the sense of movement]
[the dynamics of inconsistently enclosed expectations by a few lines on the ceiling]
[two hinged arms with wooden shells played with a cup mouthpiece to its originally planned position]
[rearranging repetitions to interpret one's self]
[Ruskin undergoes gloss]
[never-ending confusion and fragments of crumpled paper begin racing like comets from east to north]
[eating into the walls to become permanent and invisible]
[the seaweed of the storm kept in place by a fragile arrangement]
[in the house without folds, the anonymous circuit of the Other intercalates with the living on the inside]
[in the folds without house, the revealed centre of the Same erases the living on the outside]
[they have remained impoverished, like an unexpected sunset that pulls your ego down to the ground]
[the thought is ruthless, eerily extending the subversive specks on the walls pounding away in completion - a round metal disc]
[the anomalous chain of fellow beings reconciled by the final oddities while preserving the doubtful and their company]
[wait]
[inhood, or the polar link to kinder worlds]
[Illa Linaire - on the shape of words at night]
[Soutine Des Yeux]
[conversion]
[Aiolla Digli]
[OVO]
[HKM]
[Cardinal Chine]
[fast fleeting clouds suppressing a gloating giggle]
[serious underestimation equipped with a rear-view mirror evaluated in figures]
[from "Cautionary tales for grown-ups' living silence forever unemployed]
[lief #72 - Lilt Mondegreen]
[Bonne Marrow and her Double]
[NMN]
[revealed through a sharp breath and a conical idea]
[Ella Ennui]
[Melita through the door]
[Rinsol D'Lenses]
[bent knee of the effective witness diffused in his streams of paper]
[d'Ala]
[egocentricity of the rays]
[sudden revelation of instinct turned pale]
[a jelly-like mass about the size of a cherry]
[EAsabetha]
[Mar de Gue]
[Circollage XXXVIII]
[Circollage XXI]
[Circollage VII]
[Circollage III]
[Circollage IX]
[M ThereforeA]
[Circollage XXII]
[Estella]
[Sigispan]
[panopticism]
[dePol]
[conversation]

H33xW28 cm

[le film oscille entre archives de spectacle et prononciation, anagramme et synonyme]

H56xW81 cm

not available

[No 333 houses of the inner timidities]

H46xW61 cm

[16 rooms - Tales of displacement and belonging]

H61xW80 cm

[in the midst of great disorder IV]

H30xW22 cm

[Dubois meets Malevich]

H29.5xW29.5 cm

[repetitive scales different from manufactured realities by only a degree of hesitation]

H20xW14 cm

not available

[Cara Sposa and the Carousel horse]

H20xW28 cm

[the demand of major rising is metallic and incorruptible from the bunk of the past into the suberic repetition of the alphabet]

H35xW47 cm

[a man of ceaseless energy and fixed purpose who never abandoned the microcosm of softly focused landscapes]

H56XW49 cm

[simulacrum of an aesthetic mistrust prepared on the back of a postcard after periods of ontological fissures]

H56xW82 cm

[the speech returned to movement of condensation and displacement]

H46xW61 cm

[the virtual company of all]

H80.5xW60.5 cm

[melancholically through the mouth of stillness waiting to dimly discern more than to suspect]

H30xW40 cm

[mahogany horses slowly devouring the details of shock and despair with their flower cups and anthers before imposing witnesses]

H25xW22 cm

[entre eux]

collage on plywood

H49xW39 cm

[fluently other]

H20.5xW21 cm

[two green velvet curtains with typical self-deprecation]

H16.5xW25 cm

not available

[sartorial idleness with ornamental feathers]

H24xW20 cm

[duel of whisperings and life as gesture]

H21.5xW28 cm

[on how to give clear proof of being absent in the shape of a vanished year]

H29xW20 cm

[on the slowness of the wolf itself]

H22xW14.5 cm

[Mme Noya. On how to use mirrors on walls without windows]

H36xW26 cm

[silent boundaries of I]

H23.5xW17.5 cm

[wearing her voice while their souls were wet, in retrospect, stretched out from one absence to another]

H38xW50 cm

[achieving the impossible]

H27.5xW27 cm

[dialogue left hanging on the door stop]

H27xW20 cm

[about the rolls he has just eaten mistaking them with familiar figures from the visitors club]

H19.5xW25 cm

not available

[their edges up too close still lamenting the dedicated pastures in various poses and draperies]

H17.5xW25 cm

[the dissection of the motionless passenger while other shapes remain vague - the window was open wide, the street was deserted]

H19.5xW22.5 cm

[familiarity to initials without inverted commas]

H26xW18.5 cm

[portrait of a flame, after flame]

H18.5xW13.5 cm

[deep dread of gestures as yet unmade living for a small space]

H24.5xW20.5 cm

[the unchangeable grey of the mist]

H23xW19.5 cm

[Hopper meets others]

H22xW29 cm

[singing to the trace]

H25.5xW21 cm

[airgonaut resting]

H18xW22.5 cm

[point of still recording with another]

H30xW18.5 cm

[silence, followed by the reeling of half-witted stepson the being who walked with the telescope]

H30.5xW20.5 cm

[time was measured by the succession of ideas in his mind]

H18xW23 cm

[contenance théorique du verre de facon hasardeuse et sans rigoeur la pensée a encore l'air d'être liquide]

H29xW22.5 cm

[breath of repressed dreams turns to foam]

H26.5xW18.5 cm

[part of the ceiling had just been lifted up producing a fat yellow glimmer that machines pumped out through her vague coloured horizon]

H26xW21 cm

[in that part of the world to leave was not a comedy, one last trip to the nearby mountains]

H19.5xW25 cm

[the aquadermique horse, Bataille knows why]

H24.5xW19.5 cm

[days in August]

H20.5xW25 cm

[avec lenteur, la tête imaginée quitait le sol des yeux, mais sans faire de chignons]

H20xW28 cm

[the loneliest moment and its double]

H27.5xW22.5 cm

[the world is a colossal mirror in which man contemplates himself]

H31xW22 cm

[silence of silence]

H22.5xW16 cm

[to be silent as a pale imitation, as remote and candid as knitting peace in a deserted island]

H23xW19 cm

not available

[palindromic possibilities of eyes on feet]

H20xW30 cm

[elastic inference painted on the chanfrin]

H30xW19.5 cm

[à Colet L. - at the end of things, observers of sense - reluctance for solutions]

H29xW16 cm

[springs, shock absorbers and linkages that connect a comma to its full stop and allows relative motion between the two]

H27.5xW21.5 cm

[steadiness of sight to expend themselves]

H19.5 x W27.5 cm

[balance and milk]

H23xW18 cm

[to Emily]

H19xW15.5 cm

[Penumbra Limm]

H25xW20 cm

[Nothing To Be Done & Co. Representative]

H20xW25 cm

[des Demure on stage]

H26xW19.5 cm

[on seeing]

H18.5xW15 cm

[old souls travel light on the back of a chair]

H20xW18.5 cm

[banana skin on strain disorders]

H30xW18 cm

[the teeth collector and the chest hairs]

H23xW20.5 cm

[repos dans une chambre]

H26.5xW21 cm

[one day left, or how to get behind the curtain]

H22.5xW15.5 cm

[the opaque element of difference]

H30xW20 cm

not available

[and then it follows that I travel coming from the sea between two mirrors]

H19.5xW30.5 cm

[the cabaret idea of oscillation between removing a gong beat and simulating the vibrations of a sound to rule the sense of movement]

H30xW25 cm

[the dynamics of inconsistently enclosed expectations by a few lines on the ceiling]

H31xW24 cm

[two hinged arms with wooden shells played with a cup mouthpiece to its originally planned position]

H16.5xW23 cm

[rearranging repetitions to interpret one's self]

H25xW19.5 cm

[Ruskin undergoes gloss]

H22xW16 cm

[never-ending confusion and fragments of crumpled paper begin racing like comets from east to north]

H19.5xW24 cm

[eating into the walls to become permanent and invisible]

H19.5xW24 cm

[the seaweed of the storm kept in place by a fragile arrangement]

H22xW18 cm

[in the house without folds, the anonymous circuit of the Other intercalates with the living on the inside]

H18xW19 cm

[in the folds without house, the revealed centre of the Same erases the living on the outside]

H19xW25 cm

[they have remained impoverished, like an unexpected sunset that pulls your ego down to the ground]
[the thought is ruthless, eerily extending the subversive specks on the walls pounding away in completion - a round metal disc]

H29xW29 cm

[the anomalous chain of fellow beings reconciled by the final oddities while preserving the doubtful and their company]

H22xW24 cm

[wait]

H26xW20 cm

[inhood, or the polar link to kinder worlds]

H22.5xW18 cm

[Illa Linaire - on the shape of words at night]

H20xW16.5 cm

[Soutine Des Yeux]

H25xW18.5 cm

[conversion]

H22xW15.5 cm

not available

[Aiolla Digli]

H28xW21.5 cm

[OVO]

H27xW20 cm

[HKM]

H31xW24 cm

[Cardinal Chine]

H28xW21.5 cm

[fast fleeting clouds suppressing a gloating giggle]

H25xW19 cm

[serious underestimation equipped with a rear-view mirror evaluated in figures]

H24xW25 cm

[from "Cautionary tales for grown-ups' living silence forever unemployed]

H28xW21.5 cm

not available

[lief #72 - Lilt Mondegreen]

H22xW17 cm

[Bonne Marrow and her Double]

H24xW18 cm

[NMN]

H28.5xW23 cm

[revealed through a sharp breath and a conical idea]

H27.5xW21.5 cm

[Ella Ennui]

H25.5xW20.5 cm

[Melita through the door]

H27xW22 cm

[Rinsol D'Lenses]

H26xW20 cm

[bent knee of the effective witness diffused in his streams of paper]

H22xW17 cm

[d'Ala]

H28.5xW20 cm

[egocentricity of the rays]

H27xW21 cm

[sudden revelation of instinct turned pale]

H27.5xW21.5 cm

[a jelly-like mass about the size of a cherry]

H20xW16 cm

[EAsabetha]

manipulation of the painting "Elisabeth of Austria" by François Clouet

H34xW25 cm

[Mar de Gue]

H21xW14.5 cm

[Circollage XXXVIII]

H26xW21 cm

[Circollage XXI]

H25xW20 cm

[Circollage VII]

H24xW20 cm

[Circollage III]

H25xW19.5 cm

[Circollage IX]

H25xW19.5 cm

[M ThereforeA]

H31xW23.5 cm

[Circollage XXII]

H26xW20 cm

[Estella]

manipulation of the Portrait of a Princess of the House of Este by Pisanello

collage on plywood

H30xW21.5 cm

[Sigispan]

Manipulation of the "Portrait of Sigismondo Pandolfo Malatesta" by Piero della Francesca

H31 x W 21 cm

[panopticism]

H30xW21 cm

not available

[dePol]

manipulation of the Portrait of a young woman by Antonio Pollaiuolo

collage on plywood

H30xW21 cm

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